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Max Bruch was seventy-two when he composed 'Eight Pieces' for his son
beautiful melodies and avant-garde originality
Jan got so entirely hooked by compatriots such as THE KLINIK with their cold and oppressive type of sound typical for the Belgian cult acts of this period that he borrowed a keyboard from a friend and spent his holidays washing dishes at a pizza place to afford some studio gear
(with the exception of the last song on the record which was included as a sort of tongue-in-cheek clin d'oeil as if to say yes
Monteverdi: Il Ritorno Di Ulisse In Patria AEC Music Max Bruch was seventy-two whenMonteverdi: Il Ritorno Di Ulisse In Patria
