Hepworth-Sawyer / Hodgson - Mixing Music Experimental At each voice input there’s

At each voice input there’s a gate to trigger converter so any input source is possible

The output levels are fully adjustable with signals that can reach up to 10V in either polarity and can be mirrored into the opposite polarity or clipped using the voltage-controlled deviater-scaler

drum sounds

4 CV/GATE/Modulation tracks MIDI IN and MIDI OUT Clock and Reset In/Out 16 encoders for easy sequence input Up to 64 steps per pattern Song mode – up to 64 patterns in chain

Hepworth-Sawyer / Hodgson - Mixing Music Experimental At each voice input there’sThis series, Perspectives On Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative, and professional contexts. We solicit the perspectives of scholars of every disciplinary stripe, alongside recordists and recording musicians themselves, to provide a fully comprehensive analytic point of view on each component stage