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At the time, he thought the hullabaloo was interesting mostly because it showed how passionately people feel about color (as in, insanely riled-up and deeply offended by alternative views)
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On The Corner was the third in a series of Daviss 1970s Jazz Fusion releases and similarly to the previous Bitches Brew (1970) and Jack Johnson (1971) (both of which also got the Complete Sessions treatment) the album was a pastiche of recording sessions
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