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Fragonard reinterprets this very gown in his infamous painting The Swing (1767), an erotic painting cleverly disguised by the whimsicality of the rococo landscape and more specifically the pink dress
The ring is the only detail that tells the audience it is truly the Phantom underneath the cloak, and also finally signals to Christine that the Phantom is onstage, which is reflected in her sudden change in demeanor to very fearful, as she knows she has no escape
Its single-shoulder design punctuated by an exaggerated bow makes a bold statement, adding a touch of whimsy to the classy aesthetic
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