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The visual break between light and dark defines each zone of the outfit - shoe, leg, torso - and prevents the silhouette from collapsing into a single dark mass
Because of the criticism leveled on Dickinson for using the double, De Palma followed with BODY DOUBLE (1984) a few years later
I cry once maybe twice a year, so it was probably just the combination of hormones and it being about that time for a good cry
Retrieved February 26, 2018
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